| Title | Author | Tags / Collections | |
|---|---|---|---|
 | Social Art in America 1930-1945(Publisher Unknown, ?) | Permanent Collection, Laurin Raiken Archive | |
 | I can call this progress to halt (Los Angeles, CA: Los Angeles Contemporary Exhibitions, 2018) | Suzy Halajian (Author), Rosalind Nashashibi (Contributor), Chto Delat (Contributor), Alejandro Cesarco (Contributor), Marwa Arsanios (Contributor), Raqs Media Collective (Contributor), Adham Hafez (Contributor), Joanne Nucho (Contributor) | Permanent Collection, MoMA Reading Room |
 | American Homo: Community and Perversity (London, UK: Verso Books, 2018) | Jeffrey Escoffier (Author) | LGBTQ, Queer, Critical theory, Queer theory / Permanent Collection |
 | The Ingenious Gen(New Haven, CT: Yale University Press, 2014) | Carlos Rojas (Author), Edith Grossman (Translator) | Surrealism, Fiction, Spanish language / Permanent Collection |
 | Culture in a Liquid Modern World (Cambridge, UK: Polity, 2011) | Zygmunt Bauman (Author), Lydia Bauman (Author) | Cultural studies / Permanent Collection, Jaime Davidovich Collection |
 | hinterlands: Magazine for Rural Realities | Periodical, Ecology and Environmentalism, Rural conditions / Permanent Collection | |
 | The Analects (Lun yü) (Harmondsworth, New York : Penguin Books, 1979., 1979) | Confucius. (Author), D. C. Lau (Translator) | Philosophy, Bard2017 / Bard Reading Room (2017), Permanent Collection |
 | Tractatüus Philosophiká-Poeticüus (UpSet Press, 2014) | Amir Parsa (Author) | Fiction, Review, American Fiction -- 21st century / Permanent Collection |
| Nadja(Grove Press, Inc., ?) | Permanent Collection, Laurin Raiken Archive | |
| Not Man Apart: Photographs of the Big Sur Coast(A Sierra Club/Ballantine Book, ?) | Permanent Collection, Laurin Raiken Archive | |
| Spring/Summer 1967(Publisher Unknown, ?) | Permanent Collection, Laurin Raiken Archive | |
 | Bishan Commune: How to Start Your Own Utopia / Bishankommunen: Hvordan man laver sin egen utopi (Copenhagen: Antipyrine / Ovo Press, ) | Permanent Collection, MoMA Reading Room | |
 | Seeing, Naming, Knowing (New York, NY: School of Visual Arts, 2019) | Nora N. Khan (Author) | Essays, Chapbook, Art theory, Critical theory / Permanent Collection |
 | Hawthorn & Child | Keith Ridgway (Author) | Fiction / Permanent Collection |
 | Taking The Leap: Freeing Ourselves From Old Habits and Fears (Boston, MA: Shambhala, 2011 [2009]) | Pema Chodron (Author) | Self-care, Buddhism, Self-help / Permanent Collection, Jaime Davidovich Collection |
Idea Poll (Berlin: Miss Read, 2021) | Michalis Pichler (Editor), Yaiza Camps (Editor), Moritz Grunke (Editor) | Books about books, Publishing, Conceptual art, Conceptual poetry / Permanent Collection | |
 | Youth Immigration (Brooklyn, NY: Yield Test Media, 2024) | Faizar Shuvra (Artist) | Risograph, Prints and printmaking, Youth activism, Youth writing, Poster / Permanent Collection, Art and Resistance Through Education (ARTE): Your Stories Our Fight Posters |
 | Xunzi : Basic Writings (New York : Columbia University Press, c2003., 2003) | Xunzi (Author), Burton Watson (Translator) | Philosophy, Bard2017 / Bard Reading Room (2017), Permanent Collection |
 | Court of the Dragon (New York City: Nightboat Books, 2015) | Paolo Javier (Author), Toni Simon (Cover artist), Alex Tarampi (Cover artist) | Poetry, American poetry -- 21st century, Magic and occult / Permanent Collection |
| Art and Psychoanalysis: Studies in the Application of Psychoanalytic Theory to the Creative Process(Meridian Books, The World Publishing Company, ?) | Permanent Collection, Laurin Raiken Archive | |
| Byzantine Painting: Historical and Critical Studies(Skira Publishers, Inc., ?) | Permanent Collection, Laurin Raiken Archive | |
 | 1981 (Publisher Unknown, ?) | (Afterword) | Permanent Collection, Laurin Raiken Archive |
 | Y tú, ¿por qué eres negro? / And You, Why Are You Black? (Madrid: Phree; Berlin: Motto Books, 2018) | Rubén H. Bermúdez (Afterword) | Social history, Photography, Black Studies, Race, Collage, Latin American studies, MoMA Reading Room, MoMA Reading Room 1, Anti-Black racism, Latin American literature, Afro-Latino Studies / Permanent Collection, MoMA Reading Room |
 | First Light (Hoboken, NJ: Colpa Press, Conveyor Arts, 2011) | Daniel R. Small (Author), Luca Nino Antonucci (Author) | Artist’s book, Collaboration, Contemporary art, American drama -- 21st century / Permanent Collection |
 | Selected Fiction of John Riddell: Writing Surfaces (Waterloo, Ontario: Wilfrid Laurier University Press, 2013) | John Riddell (Author), derek beaulieu (Editor), Lori Emerson (Editor) | Fiction, Illustration, Graphic novel / Permanent Collection |
 | Exchange and Evolution: Worldwide Video Long Beach 1974-1999 (Long Beach, CA: Long Beach Museum of Art, 2011) | Kathy Rae Huffman (Curator), Nancy Buchanan (Curator) | Exhibition catalog, Contemporary art, Video art / Permanent Collection, Jaime Davidovich Collection |
%202.42.05%20p.m..png) | Aún te espero (Mexico City: Gato Negro Ediciones, 2021) | Anai Tirado Miranda (Afterword) | Mexico, Art, Photography, Protest, Risograph, Feminism and Feminist theory, Feminicide / Permanent Collection |
 | ¡Sigue Volando! (Brooklyn, NY: Yield Test Media, 2024) | Kass Sinchi (Artist) | Risograph, Prints and printmaking, Youth activism, Youth writing, Poster / Art and Resistance Through Education (ARTE): Your Stories Our Fight Posters |
 | It Had Something to Do with the Telling of Time: Spaces in Fiction / Constructs of Reality (Eindhoven, NL: Onomatopee, 2016) | Annee Grotte Viken (Author) | Play, Fiction, Architecture, Script, Installation art / Permanent Collection |
 | The Aesthetic Dimension: Toward a Critique of Marxist Aesthetics (Boston: Beacon Press, 1978) | Herbert Marcuse (Author) | Philosophy, Aesthetics, Marxism, Critique / Permanent Collection, Laurin Raiken Archive |