| Title | Author | Tags / Collections | |
|---|---|---|---|
 | Being in the Negative (New York and Palestine: Bilna'es, 2024) | Basel Abbas (Author), Ruanne Abou-Rahme (Author) | Poetics, Anti-colonialism, Palestine / Permanent Collection, inseparable assembly Reading Room |
 | Bury My Heart at Wounded Knee : an Indian History of the American West (New York : H. Holt & Co., 2007., 2007 [1970]) | Dee Alexander Brown (Author) | Indigenous, History, Bard2017 / Bard Reading Room (2017), Permanent Collection |
 | Free City (Champaign, IL: Dalkey Archive Press, 2013 [c2010]) | João Almino (Author), Rhett McNeil (Translator) | Brazil, Brazilian literature, Portuguese, Fiction, Translation / Permanent Collection |
 | Chubz: The Demonization of My Working Arse (London, UK: Montez Press, 2014) | Spitzenprodukte (Author) | Fiction, Politics, Politically engaged, Leftwing Politics / Permanent Collection |
 | Art and Society(Schocken Books, ?) | Permanent Collection, Laurin Raiken Archive | |
| The Arts and Philanthropy(Ford Foundation Paper, ?) | Permanent Collection, Laurin Raiken Archive | |
| A Concise History of Posters: 1870-1970(Harry N. Abrams, Inc., ?) | Permanent Collection, Laurin Raiken Archive | |
| Styles of Radical Will(Dell Publishing Company, ?) | Permanent Collection, Laurin Raiken Archive | |
| November, 1971(Publisher Unknown, ?) | Permanent Collection, Laurin Raiken Archive | |
 | Patterns (New York, NY: Primary Information, 2018) | Sarah Crowner (Author) | Artist’s book, Monograph, Contemporary art, Bard2018, MoMA Reading Room / Permanent Collection, Bard Reading Room 2018, MoMA Reading Room |
 | Dulce y Salada (Bogota, Colombia: Editorial Unimagdalena, 2018) | Jorge Panchoaga (Afterword), Juan Cárdenas (Afterword) | Photography, Colombia, Spanish language, Bilingual, Latin American studies, Social documentary photography / Permanent Collection |
 | How to Write About Contemporary Art (London, UK and New York: Thames & Hudson, 2019) | Gilda Williams (Author) | Non-fiction, Pedagogy, Contemporary art / Permanent Collection, Orit Gat Collection |
 | Tell Me How it Ends: An Essay in Forty Questions (Minneapolis, MN: Coffee House Press, 2017) | Valerie Luiselli (Author) | Essays, Immigration, Social sciences / Permanent Collection |
 | Free Jazz Communism (Helsinki, Finland: RAB-RAB Press, 2024 [2019]) | Sezgin Boynik (Editor), Taneli Viitahuhta (Editor) | 1960s, Music, Jazz, Performance / Permanent Collection, inseparable assembly Reading Room |
 | Iqbal (New York: Simon & Schuster, 2005) | Francesco D'Adamo (Author), Ann Leonori (Translator) | Fiction, Translation, Young adult, Review / Permanent Collection |
| To Hell With Culture, and Other Essays on Art and Society(Schocken Books, ?) | Permanent Collection, Laurin Raiken Archive | |
| Christian and Oriental Philosophy of Art(Dover Publications, Inc., ?) | Permanent Collection, Laurin Raiken Archive | |
| Egg Tempera Painting, Tempera Underpainting, Oil Emulsion Painting: A Manual of Technique(Oxford University Press, ?) | Laurin Raiken Archive | |
| On Photography(Dell Publishing Company, ?) | Permanent Collection, Laurin Raiken Archive | |
| December, 1971(Publisher Unknown, ?) | Permanent Collection, Laurin Raiken Archive | |
 | Tao Te Ching (New York, NY; Penguin Classics, 1963) | Lao Tzo (Author) | Philosophy, Taoism |
 | Space In Between (Mexico D. F.: Tremblores Publicaciones, Motto Books, ) | Margarita Cabrera (Artist) | Mexican American literature, American art, Borders and Border Studies, Politically engaged, Textile and fiber arts, Mexican art -- 21st century / Permanent Collection |
 | Futurist Manifestos (Boston, MA: Museum of Fine Arts Publications, 2001 [1970]) | Umbro Appollonio (Editor), Richard Humphreys (Foreword) | Europe, Manifestos, Avant-garde / Permanent Collection, Orit Gat Collection |
 | Slavery and Social Death (Cambridge, MA: Harvard University Press, 2018) | Orlando Patterson (Author) | Theory, Slavery, Colonialism, Anti-Black racism, Social sciences / Permanent Collection |
 | Black Ecologies (MARCH: a journal of art and strategy, 2019) | Imani Jacqueline Brown (Editor) | Blackness, Ecology and Environmentalism / Permanent Collection, inseparable assembly Reading Room |
| The Green Child: A Romance(Publisher Unknown, ?) | Permanent Collection, Laurin Raiken Archive | |
| Against Interpretation(Dell Publishing Company, ?) | Permanent Collection, Laurin Raiken Archive | |
 | Iran: Unedited History 1960-2014 (Rome, Italy: Cura Books, 2014) | Flavia De Sanctis Mangelli (Author) | Iran, Social history, History, Photography, Art history, Collections, Middle Eastern studies, MoMA Reading Room, MoMA Reading Room 1 / Permanent Collection, MoMA Reading Room |
 | Liberalism: A Counter-History (Brooklyn, NY; Verso Books, 2014) | Domenico Losurdo (Author) | Politics, Leftwing Politics |
 | Printed Photography in Venezuela/ Fotografía Impresa en Venezuela (Caracas, Venezuela: La Cueva Casa Editorial, 2019) | Ricardo Báez (Editor), Sagrario Berti (Editor), La Cueva Casa Editorial (Editor) | Photography, Spanish language, Bilingual, Art books, Latin American studies, Social documentary photography / Permanent Collection |