 | Come home Charley Patton(Middletown, CT: Wesleyan University Press, 2013) | Ralph Lemon | 21st century, Memoir, African American art, Civil rights, African American studies, Bard2017 / Bard Reading Room (2017), Permanent Collection |
 | Invisible man(New York : Vintage International, 1995., 1995) | Ralph Ellison | Bard2017 / Bard Reading Room (2017), Permanent Collection |
 | The Cowherd's Son: Poems (Kundiman Prize)(Tupelo Press (2017), Edition: Advance Galley ed., 84 pages, 2017) | Rajiv Mohabir (Author) | Permanent Collection |
 | The Disenchantment of Art: The Philosophy of Walter Benjamin(London, New York: The Guilford Press, 1996) | Rainer Rochlitz (Author), Jane Marie Todd (Translator) | Biography, Art theory / Permanent Collection, Laurin Raiken Archive |
 | Cuentos pintados(Bogotá D.C., Colombia: Babel Libros, 2008., 2008) | Rafael Pombo, Ivar Da Coll (Illustrator) | Picture book, Spanish language, Children's literature / Children's Library |
 | HAIRDO(Brooklyn: The Song Cave, 2017) | Rachel B Glaser (Author) | Poetry, Review, American poetry -- 21st century / Permanent Collection |
 | Neighbor(Brooklyn, NY: Ugly Duckling Presse, August 1 2009) | Rachel Levitsky | Poetry, American poetry -- 21st century, Feminist avant-garde / Permanent Collection |
 | MOODS(North Amherst, MA: Factory Hollow Press, 2013) | Rachel Glaser (Author) | Poetry, American poetry -- 21st century / Permanent Collection |
 | Baskets(Brooklyn: Miniature Garden, 2015) | Rachel Domm (Artist) | Artist’s book, Weaving, Drawing / Permanent Collection, Bard Reading Room 2018 |
 | Rachel Calof’s Story: Jewish Homesteader on the Northern Plains(Indiana University Press (1995), 176 pages, 1995) | Rachel Calof (Author) | Review |
 | The Wit of the Staircase(Paris, FR: DisVoir, 2012) | Raúl Ruiz (Author), Paul Buck (Translator), Catherine Petit (Translator) | Fantasy, 20th century, Fiction, Artist writing / Permanent Collection |
 | Poetics Of Cinema, 2(Paris, FR: Dis Voir, 2007) | Raúl Ruiz (Author), Carlos Morreo (Translator) | 21st century, Essay, Poetics, Art criticism, Film and Film Studies / Permanent Collection |
 | The Book Of Disappearances / The Book Of Tractations(Paris, FR: Dis Voir, 2005) | Raúl Ruiz (Author), Warren Niesluchowski (Translator) | 21st century, Artist’s book, Fiction, History, Memory, Bard2017, Artist writing / Bard Reading Room (2017), Permanent Collection |
 | The New Librarianship Field Guide(Cambridge, MA; New York, NY: The MIT Press, 2016) | R. David Lankes (Author), Cheryl Gould (Contributor), Lauren Britton (Contributor), Beck Tench (Contributor), Wendy Newman (Contributor), Sue Kowalski (Contributor), Kimberly Silk (Contributor) | Permanent Collection |
 | The Number and the Siren(Falmouth, UK: Urbanomic / New York: Sequence Press, 2012) | Quentin Meillassoux (Author), Robin Mackay (Translator) | 21st century, 19th century, Metaphysics, Non-fiction, Poetics, Criticism and interpretation / Permanent Collection |
 | Invention of Photography (New Horizons)(Thames & Hudson Ltd (2002), 160 pages, 2002) | Quentin Bajac (Author) | Bard2017 / Bard Reading Room (2017), Permanent Collection |
 | See Red Women's Workshop: Feminist Posters 1974–1990(London: Four Corners Books, 2016) | Prudence Stevenson (Author), Sheila Rowbotham (Foreword) | History, Art, Review, Feminism and Feminist theory, Politically engaged / Permanent Collection, BAM Reading Room (2017) |
 | The Last Illusion(New York: Bloomsbury USA, 2014) | Porochista Khakpour (Author) | American literature, New York, Iran, Fiction, American Fiction -- 21st century / Permanent Collection |
 | Vers La Sobriété Heureuse(Arles, France: Actes Sud, 2015) | Pierre Rabhi (Author) | Essay / Permanent Collection |
 | Nietzsche and the Vicious Circle(Chicago, IL: University of Chicago Press, 1998) | Pierre Klossowski (Author), Daniel W. Smith (Translator) | Philosophy, Review, Critical theory / Permanent Collection |
 | Such a Deathly Desire(Albany, NY: State University of New York Press, 2007) | Pierre Klossowski (Author), Russell Ford (Translator) | Philosophy, Review, Critical theory / Permanent Collection |
 | Archeology of violence(Los Angeles, CA:Semiotext(e), 2010 [c1980]) | Pierre Clastres, Ashley Lebner, de Castro Eduardo Viverios (Introduction), Herman Jeanine (Translator) | Anthropology, Bard2017 / Bard Reading Room (2017), Permanent Collection |
 | The Rules of Art: Genesis and Structure of the Literary Field(Stanford, CA: Stanford University Press, 1996) | Pierre Bourdieu (Author), Susan Emanuel (Translator) | Philosophy, Literary criticism, Criticism and interpretation, Review, Critical theory / Permanent Collection |
 | The Sociologist and the Historian(Cambridge, UK: Polity, 2015) | Pierre Bourdieu (Author) | Philosophy, History, Sociology, Interview, Review, Critical theory / Permanent Collection |
 | Draft Score for an Exhibition(Rome: Nero, 2014) | Pierre Bal-Blanc (Author) | Exhibition catalog, Performance, Contemporary art, Bam2016 / BAM Reading Room, 2016, Permanent Collection |
 | Saint Paul : a screenplay(London ; New York : Verso, [2014], 2014) | Pier Paolo Pasolini, Elizabeth A. Castelli (Translator) | Bam2016 / BAM Reading Room, 2016, Permanent Collection |
 | Women and Madness(New York: Four Walls Eight Windows, 1997) | Phyllis Chesler (Author) | History, Psychology, Politics, Gender, Sexuality, Review, Feminism and Feminist theory / Permanent Collection |
 | Scherenschnitte(München, DE: Schirmer/Mosel, 2010) | Philipp Otto Runge, Harald Eggebrecht | Drawing, Monograph, Contemporary art, Bard2017 / Bard Reading Room (2017), Permanent Collection |
 | Winslow Homer at Prout's Neck(Camden, ME: Down East Books, 2015 [c.1966]) | Philip C. Beam (Author), Charles Homer Lowell (Author) | 19th century, Art history, Art criticism / Laurin Raiken Archive |
 | Winslow Homer: At Prout's Neck(Boston: Little Brown & Co., 1966) | Philip C. Beam (Author) | Landscape, Biography, Painting, Artist biography / Permanent Collection, Laurin Raiken Archive |
