| Title | Author | Tags / Collections | |
|---|---|---|---|
 | Seen of the crime(Montreal: Snare Books, 2011) | D. A. Beaulieu (Author), Karis Shearer (Editor) | Poetry / Permanent Collection |
 | Seeing, Naming, Knowing (New York, NY: School of Visual Arts, 2019) | Nora N. Khan (Author) | Essays, Chapbook, Art theory, Critical theory / Permanent Collection |
 | Seeing With the Mind's Eye: The History, Techniques and Uses of Visualization(A Random House Bookworks Book, ?) | Permanent Collection, Laurin Raiken Archive | |
 | Seeing Power: Art and Activism in the 21st Century(Brooklyn, NY: Melville House, 2015) | Nato Thompson | 21st century, Art history, Activism, Contemporary art, Bard2017 / Bard Reading Room (2017), Permanent Collection |
 | Seeing Like a Computer (New York, NY: Unknown Unknowns, 2018) | Angie Waller (Author) | Technology, Social media, Cultural policy, Surveillance, MoMA Reading Room, MoMA Reading Room 1 / Permanent Collection, MoMA Reading Room |
 | Seeing Is Forgetting the Name of the Thing One Sees(California: University of California Press, 2008 [c.1982]) | Lawrence Weschler (Author), Robert Irwin (Author) | Modernism, Installation art, Contemporary art / Permanent Collection, Laurin Raiken Archive |
| Seeing Berger: A Reevaluation(London: Writers and Readers Publishing Cooperative, 1980) | Peter Fuller (Author) | Permanent Collection, Laurin Raiken Archive |
 | See Under Love (New York, NY: Noonday Press, 1989) | David Grossman (Author), Betsy Rosenberg (Translator) | Holocaust, Fiction, Hebrew / Permanent Collection |
 | See Red Women's Workshop: Feminist Posters 1974–1990(London: Four Corners Books, 2016) | Prudence Stevenson (Author), Sheila Rowbotham (Foreword) | History, Art, Review, Feminism and Feminist theory, Politically engaged / Permanent Collection, BAM Reading Room (2017) |
 | Secreto de familia(Fondo de Cultura Económica (2003), Edition: 1st., 48 pages, 2003) | Isol (Author) | Picture book, Spanish language, Children's literature / Permanent Collection, Children's Library |
 | Secret Catalan Poem (The Elephants, 2019) | Maryam Monalisa Gharavi (Author), Broc Rossell (Editor), Hei Lam Ng (Cover artist), Aimee Harrison (Cover artist), Aimee Harrison (Designer) | Aesthetics, Chapbook, Politics, Risograph |
 | Secondhand Reading(Johannesburg: Fourthwall Books, 2014) | William Kentridge (Author), William Little (Author), H. W. Fowler (Author), C. T. Onions (Editor), Jessie Coulson (Author) | Permanent Collection |
| Seascape(Brooklyn, NY: Ugly Duckling Presse, 2013) | Heimrad Backer | Permanent Collection |
| Search for the Real(The MIT Press, ?) | Permanent Collection, Laurin Raiken Archive | |
 | Sean Landers: North American Mammals(New York, NY: Petzel, 2015) | Sean Landers (Author), Sean Landers (Artist), Jason Murison (Foreword), Michelle Landers (Editor) | Exhibition catalog, Art, Painting, Contemporary art, Textile and fiber arts, Bard2018 / Permanent Collection, Bard Reading Room 2018 |
 | Sea Shells (Boston, MA: Beacon Press, 1998) | Paul Valéry (Author), Ralph Manheim (Translator) | Nature, Translation, Essay collection / Permanent Collection |
 | Sea and Fog (New York, NY: Nightboat Books, 2012) | Etel Adnan (Author) | Experimental poetry / Permanent Collection |
Señal 9: Wingston González: No Budu Please (Brooklyn, NY: Ugly Duckling Press, 2018) | Wingston González (Author), Urayoán Noel (Translator) | Bilingual / Permanent Collection, Erizo Residency | |
Señal 8: Diario (Diary) (Brooklyn, NY: Ugly Duckling Press, 2018) | Liliana Ponce (Author), Michael Martin Shea (Afterword) | Bilingual / Permanent Collection, Erizo Residency | |
Señal 7: El Lenguaje es Un Revólver Para Dos (Language is a Revolver for Two) (Brooklyn, NY: Ugly Duckling Press, 2018) | Mario Montalbetti (Translator), Clare Sullivan (Translator) | Bilingual / Permanent Collection, Erizo Residency | |
Señal 6: O País Nāo é o Mapa (The Territory is Not on the Map) (Brooklyn, NY: Ugly Duckling Press, 2017) | Marília Garcia (Author), Hillary Kaplan (Translator) | Portuguese, Bilingual / Permanent Collection, Erizo Residency | |
Señal 5: Chintungo: La Historia de Alguien Más (The Story of Someone Else) (Brooklyn, NY: Ugly Duckling Press, 2017) | Soledad Marambio (Author), K. T. Biley (Translator) | Bilingual / Permanent Collection, Erizo Residency | |
Señal 4: Propiedades Vigiladas (Monitored Properties) (Brooklyn, NY: Ugly Duckling Press, 2016) | Florencia Castellano (Author), Alexis Almeida (Translator) | Bilingual / Permanent Collection, Erizo Residency | |
Señal 3: El Cam de Alch (The Rou of Alch) (Brooklyn, NY: Ugly Duckling Press, 2016) | Pablo Katchadjian (Author), Victoria Cóccaro (Translator), Rebekah Smith (Translator) | Bilingual / Permanent Collection, Erizo Residency | |
 | Señal 2: Enigmas (Brooklyn, NY: Ugly Duckling Press, 2015) | Sor Juana Ines de la Cruz (Author), Stalina Emmanuelle Villareal (Translator) | Bilingual / Permanent Collection, Erizo Residency |
Señal 1: Sor Juana y Otros Monstruos (Sor Juana and Other Monsters) (Brooklyn, NY: Ugly Duckling Press, 2015) | Luis Felipe Fabre (Author), John Pluecker (Translator) | Bilingual / Permanent Collection, Erizo Residency | |
 | Scrap Compositions(Brooklyn: Cory Emma Siegler, 2017) | Cory Emma Siegler (Artist) | Artist’s book, Contemporary art, Zines, Textile and fiber arts, Bard2018 / Permanent Collection, Bard Reading Room 2018 |
 | Scores for Performance Poetry (Brooklyn: GenderFail, 2021) | Noah LeBien (Author) | American poetry -- 21st century, Drama and Performance studies, Publishing performance / Permanent Collection |
| Science and Culture(Publisher Unknown, ?) | Permanent Collection, Laurin Raiken Archive | |
| School of New York: Some Younger Artists(Grove Press, Inc., ?) | Permanent Collection, Laurin Raiken Archive | |