| Title | Author | Tags / Collections | |
|---|---|---|---|
 | Pedagogy of the oppressed(New York : Continuum, c2000., 2000) | Paulo Freire | Bard2017 / Bard Reading Room (2017), Permanent Collection |
 | Pedagogies of Crossing: Meditations on Feminism, Sexual Politics, Memory, and the Sacred (London, UK: Duke University Press, Combined Academic, 2006) | M. Jacqui Alexander (Author) | LGBTQ, Race, Critical theory, Queer theory, Sexual politics, Queer of color critique, Gender studies / Residency Collection |
 | Paulina Olowska(Zurich: JRP | Ringier, 2013) | Paulina Olowska (Artist), Lionel Bovier (Editor), Jan Verwoert (Contributor), Adam Szymczyk (Contributor), Anna Bujnowska (Contributor) | Eastern Europe, Modern art, Monograph, Textile and fiber arts, Bard2018 / Permanent Collection, Bard Reading Room 2018 |
 | Paul Klee: Pedagogical Sketchbook(London, England: Faber and Faber, 1968) | Paul Klee (Author), Sibyl Moholy-Nagy (Translator) | Switzerland, 20th century, Cubism, Visual culture, Art education, Artist writing / Permanent Collection, Laurin Raiken Archive |
 | Paul Klee(Fernard Hazan, ?) | Permanent Collection, Laurin Raiken Archive | |
| Paul Klee(Barnes & Noble, Inc., ?) | Permanent Collection, Laurin Raiken Archive | |
| Paul Gaugin: 1848-1903(Les Editions Braun Et C, ?) | Permanent Collection, Laurin Raiken Archive | |
| Paul Gaugin's Intimate Journals(Indiana University Press, ?) | Permanent Collection, Laurin Raiken Archive | |
 | Paul Chan: Selected Writings: 2000-2014(New York: Badlands Unlimited; Basel, Switzerland: Schaulager, Laurenz Foundation, 2014) | Paul Chan (Author), George Baker (Editor), George Baker (Introduction), Isabel Friedli (Editor), Eric Banks (Editor), Martina Venanzoni (Contributor) | Contemporary art, Art criticism, Artist writing / Permanent Collection |
| Paul Cezanne(Harry N. Abrams Inc., ?) | Permanent Collection, Laurin Raiken Archive | |
 | Paul Bowles: Collected Stories & Later Writings (LOA #135): Delicate Prey / Hundred Camels in Courtyard / Time of Friendship / Things Gone & Things ... Blu (Library of America Paul Bowles Edition) (Library of America (2002), 1050 pages, 2002) | Paul Bowles (Author) | Fiction, Bam2016 / Permanent Collection |
| Patterns That Connect: Social Symbolism in Ancient and Tribal Art(Harry N. Abrams, Inc. Co-published by the Rock Foundation, ?) | Permanent Collection, Laurin Raiken Archive | |
| Patterns of Communication and Space Amongst Women Artists(Publisher Unknown, ?) | Permanent Collection, Laurin Raiken Archive | |
 | Patterns (New York, NY: Primary Information, 2018) | Sarah Crowner (Author) | Artist’s book, Monograph, Contemporary art, Bard2018, MoMA Reading Room / Permanent Collection, Bard Reading Room 2018, MoMA Reading Room |
| Patrons and Patriotism: The Encouragement of the Fine Arts in the United States 1790-1860(The University of Chicago Press, ?) | Permanent Collection, Laurin Raiken Archive | |
| Patrons and Painters: Art and Society in Baroque Italy(Icon Editions, Harper & Roe, ?) | Permanent Collection, Laurin Raiken Archive | |
 | Pataphysical Essays (Cambridge, MA: Wakefield Press, 2012) | René Daumal (Author), Thomas Vosteen (Translator) | Fiction / Permanent Collection |
 | Past Tomorrow (Berlin: Elmgreen & Dragset, 2015) | Michael Elmgreen (Artist), Ingar Dragset (Artist), (Editor) | Art, Architecture, Script / Orit Gat Collection |
 | Passion Play (TCG Edition)(Theatre Communications Group (2010), 128 pages, 2010) | Sarah Ruhl (Author) | BAM Reading Room, 2016, Permanent Collection |
 | Passages (Sheffield, UK: And Other Stories, 2021 [1969]) | Ann Quin (Author), Claire-Louise Bennett (Introduction) | Experimental fiction, 20th century, Fiction / Permanent Collection |
 | Participation: ART for the World 1995–2016(Milan, Italy: Mousse Publishing, 2017) | Adelina Cuberyan von Fürstenberg (Editor), Michela Negrini, Christopher Atamian, Nunu Luan | Bard2017 / Bard Reading Room (2017), Permanent Collection |
 | Participation (Cambridge, MA: M.I.T Press, 2010) | Claire Bishop (Editor) | Contemporary art, Participatory and Public art / Permanent Collection, Orit Gat Collection |
| Parrot on a Motorcycle: On Poetic Craft(Brooklyn, NY: Ugly Duckling Presse, 2010) | Vitezslav Nezval | Permanent Collection |
 | Paris to the Moon (New York: Random House, 2000) | Adam Gopnik (Author) | France, Fiction / Permanent Collection, Orit Gat Collection |
 | Paris Spleen (New York: New Directions, 1970 [c1869]) | Charles Baudelaire (Author), Louise Varése (Translator) | Poetry, Modernism, Prose / Permanent Collection, Laurin Raiken Archive |
 | Paris Notebooks: A Selection of her Non-Fiction(STODDART (1997), 1997) | Mavis Gallant (Author) | Bard2017 / Bard Reading Room (2017), Permanent Collection |
 | Paris Hermitage(New York: Cooperative Editions, 2016) | Pa.LaC.E. (Author), Vera Bühlmann (Contributor), Benjamin Reynolds (Contributor), Valle Medina (Contributor) | Artist’s book, Design, Illustration, Architecture, Mapping / Permanent Collection |
 | Paranoia on the High Seas [Paranoia en altar mar](Santa Monica, CA: White Wine Press / Madrid: Distrito Cu4tro, Galería de Arte, 2006) | Thomas Lawson, Kevin Power (Editor), Sherry Shottlaender (Translator) | Epistolary, Fiction, Spanish language, Bilingual / Permanent Collection |
 | Parachute: The Anthology, Volume II: Performance and Performativity (Documents)(Zurich: JRP Ringier; Dijon: Les Presses du Reel, 2014) | Chantal Pontbriand (Editor), Kate Linker (Author), Birgit Pelzer (Author), William Wood (Author), Jim Drobnik (Author) | Performance, Dance, Critical theory, Contemporary art |
 | Parable of the Sower (New York: Warner Books, [2000], c1993., 1993) | Octavia E. Butler (Author) | Science fiction, California, Fiction, Speculative fiction, American Fiction -- 21st century / Permanent Collection, BAM Reading Room (2017) |