| Title | Author | Tags / Collections | |
|---|---|---|---|
 | May-June 1988(Publisher Unknown, ?) | Permanent Collection, Laurin Raiken Archive | |
 | Better be watching the clouds / I want to be able to welcome my father to my house (Amsterdam, Netherlands: Roma Publications / Stedelijk Museum, 2019) | Walid Raad (Author) | Drawing, Collage, Middle Eastern studies, Social documentary photography, Politically engaged, MoMA Reading Room, MoMA Reading Room 1 / Permanent Collection, MoMA Reading Room |
 | Style of Attack Report (Philidelphia, PA: Metropolarity, 2016) | Metropolarity (Author), Ras Mashramani (Contributor), Rasheedah Phillips (Contributor), Alex Smith (Contributor), M Eighteen Téllez (Contributor), Eighteen & Ras (Contributor) | Science fiction, DIY, Collective / Permanent Collection, MoMA Reading Room |
 | Eléctrico W (New York, NY: Other Press, 2012) | Hervé Le Tellier (Author), Adriana Hunter (Translator) | French literature, Fiction, Europe / Permanent Collection |
 | Politics by Other Means: Selected Criticism from Review 31 (Winchester, UK: Zero Books, 2014) | Alison Hugil (Editor), Houman Barekat (Editor) | Anthology, Literary criticism, Periodical, Art criticism / Permanent Collection, Orit Gat Collection |
 | Services Working Group: January 22-23, 1994 (Vancouver: Filip, 2021) | Eric Golo Stone (Editor), (Afterword) | Art history, Economics, Artist writing / Permanent Collection |
 | Lament for Julia (New York: New York Review of Books, 2023) | Susan Taubes (Afterword), Francesca Wade (Introduction) | Fiction / Permanent Collection |
 | Understanding molecular typography (Brooklyn, NY : Ugly Duckling Presse, 2019., 2019) | H. F. Henderson (Author), Woody Leslie (Introduction) | Artist’s book, Fiction, Typography / Permanent Collection |
| Nicolas de Stael(Grove Press, Inc., New York. and Evergreen Books, LTD. London., ?) | Permanent Collection, Laurin Raiken Archive | |
| Spring 1970(Published by Associated Councils of the Arts, ?) | Permanent Collection, Laurin Raiken Archive | |
 | Undertow (Brooklyn, NY: Silent Face, 2018) | Pacifico Silano (Editor), Chris Berntsen (Contributor), Emily Colucci (Contributor), Elliott Jerome Brown Jr. (Contributor), Gwen Shockey (Contributor), Jen Everett (Contributor), Leonard Suryajaya (Contributor), Res (Contributor), Sam Stoich (Contributor), Troy Michie (Contributor) | Photography, Periodical, Art magazine, MoMA Reading Room / Permanent Collection, MoMA Reading Room |
 | Future Pleasures (Pawtucket, RI: Paul Soulellis, 2019) | Rin Kim (Author), Malachi The Moth (Contributor), Bri (Contributor), Candex Louie (Contributor), Lentz Marseille (Cover artist), Paul Soulellis (Editor) | Journal, Queer, Self-publishing, Essay collection / Permanent Collection |
 | Cast in Doubt (London, UK: Serpent's Tail, 1993) | Lynne Tillman (Afterword) | Fiction, Mysticism / Permanent Collection |
 | Enemy Combatant: My Imprisonment at Guantánamo, Bagram, and Kandahar (New York: The New Press, 2006) | Moazzam Begg (Author), David Ignatius (Foreword) | Memoir, Islam, Prison studies / Permanent Collection, Orit Gat Collection |
My Kingdom for a Title, 1979-2021 (Los Angeles: New Documents; New York: Mitchell-Iness & Nash, 2021) | Pope.L (Artist), Courtney Willis Blair (Editor), Kandis Williams (Afterword) | African American art, Art, Monograph / Permanent Collection | |
 | Biting the Error: Writers Explore Narrative (Toronto, Ontario: Coach House Books, 2004) | Gail Scott (Editor), Robert Gluck (Editor), Camille Roy (Editor), Mary Burger (Editor) | American literature, Fiction, Literary criticism / Permanent Collection |
 | Valentine's Manual of Old New York (Hastings-on-Hudson, NY: Forgotten Books, Pamphlet, 2015 [1923]) | Henry Collins Brown (Afterword) | New York, History, Bard2017 / Bard Reading Room (2017), Permanent Collection |
 | 20 Años de Poesía: Jovenes Creadores del FONCA (Mexico D. F.: Conaculta, 2010) | Jorge Fernandez Granados (Editor) | Erizo Residency |
| Geometric Abstraction: Latin American Art from the Patricia Phelps de Cisneros Collection(Yale University Press, ?) | Permanent Collection, Laurin Raiken Archive | |
| The Art of Renoir(Milton, Balch & Co., ?) | Permanent Collection, Laurin Raiken Archive | |
| Primitive Art(Dover Publications, Inc., ?) | Permanent Collection, Laurin Raiken Archive | |
| Summer 1970(Published by Associated Councils of the Arts, ?) | Permanent Collection, Laurin Raiken Archive | |
 | Notes on Fundamental Joy; seeking the elimination of oppression through the social and political transformation of the patriarchy that otherwise threatens to bury us (New York: Printed Matter, 2019) | Permanent Collection, MoMA Reading Room | |
 | Black People are Cropped: Skin Set Drawings 1997-2011 (Zurich, Switzerland:JRP Editions, 2013) | William Pope.L (Artist), Helen Molesworth (Contributor), Iain Kerr (Contributor) | African American art, Drawing, Typography, Contemporary art, MoMA Reading Room / Permanent Collection, MoMA Reading Room |
 | The Death of Ivan Ilych (Brooklyn, NY: Melville House Publishing, 2008) | Leo Tolstoy (Author), Ian Dreiblatt (Translator) | Fiction, Russian literature / Permanent Collection |
 | Granta 56: What Happened to Us?-- Britan's Valedictory Realism (London, UK: Granta, 1996) | Ian Jack (Editor) | British literature, United Kingdom, Periodical / Permanent Collection, Orit Gat Collection |
 | Some Reasons for Traveling to Italy (Cambridge, MA: MIT Press, 2022) | Peter Wilson (Author), Thomas Weaver (Editor), Kurst W. Foster (Introduction) | Art, Architecture, Italy and Italian language / Permanent Collection |
 | Inland (Sheffield, UK: And Other Stories, 2024 [1988]) | Gerald Murnane (Author) | Fiction, Bildungsroman / Permanent Collection |
| Geometric Abstraction: Latin American Art from the Patricia Phelps de Cisneros Collection(Yale University Press, ?) | Permanent Collection, Laurin Raiken Archive | |
| Cezanne: A Study of His Development(The Noonday Press, ?) | Permanent Collection, Laurin Raiken Archive | |