| Title | Author | Tags / Collections | |
|---|---|---|---|
 | Laundry in Public (Rochester, NY: Self-published, 2011) | Scott McCarney (Author) | Artist’s book, Photography, Contemporary art, Social documentary photography, Textile and fiber arts, Bard2018 / Permanent Collection, Bard Reading Room 2018 |
 | The Grass Roots of Art: Lectures on the Social Aspects of Art In An Industrial Age(Wittenborn & Company, ?) | Permanent Collection, Laurin Raiken Archive | |
| Art and Reality: Ways of the Creative Process(Harper & Brothers, Publishers, ?) | Permanent Collection, Laurin Raiken Archive | |
| Realism In Art: The Relation Between Artistic Beauty and Real Life in Painting from Primitive Origins to Today(International Publishers, ?) | Permanent Collection, Laurin Raiken Archive | |
| April, 1971(Publisher Unknown, ?) | Permanent Collection, Laurin Raiken Archive | |
 | The Filipino Primitive: Accumulation and Resistance in the American Museum (New York, NY; NYU Press, 2017) | Sarita Eschavez See (Author) | Economics, Museum studies |
 | Rubén Gámez: La Fórmula Secreta (Mexico, D. F.: Alias Editorial, 2014) | Rubén Gámez (Artist), Damián Ortega (Author) | Mexico, Monograph, Experimental cinema, Film and Film Studies, Mexican art -- 20th century / Permanent Collection |
 | Who Owns the Future? (New York: Simon and Schuster, 2014) | Jaron Lanier (Author) | Technology, Non-fiction, Political science / Permanent Collection, Orit Gat Collection |
 | Equality or Equity: Toward a Model of Community-Responsive Education (Cambridge, MA: Harvard Education Pres, 2022) | Jeffrey M. R. Duncan-Andrade (Afterword) | Education, Community, Pedagogy, Youth activism / Permanent Collection |
 | The Foucault Effect: Studies in Governmentality (Chicago: University of Chicago Press, 1991) | Michel Foucault (Author), Graham Burchell (Editor), Peter Miller (Editor), Colin Gordon (Editor) | Philosophy, Government and politics, Sociology, Critical theory / Permanent Collection |
 | Sister Outsider: Essays and Speeches (Berkeley, CA: Crossing Press, 2007 [c1984]) | Audre Lorde (Author), Cheryl Clark (Foreword) | Black Studies, African American studies, Essay collection, Black Feminism, Feminism and Feminist theory / Permanent Collection, BAM Reading Room (2017), Residency Collection, Workshops |
 | New York City Police (Charleston, S.C. : Arcadia Pub., 2012) | Joshua Ruff (Author), Michael Cronin (Author) | New York, Bard2017 / Bard Reading Room (2017), Permanent Collection |
| The Meaning of Art(Penguin Books, ?) | Permanent Collection, Laurin Raiken Archive | |
| Moholy-Nagy: Experiments in Totality(MIT Press, ?) | Permanent Collection, Laurin Raiken Archive | |
| Wassily Kandinsky: Paintings of 1905-1940(The New Gallery, ?) | Permanent Collection, Laurin Raiken Archive | |
| The Renderings: Critical Essays on a Century of Modern Art(Simon and Schuster, ?) | Permanent Collection, Laurin Raiken Archive | |
 | Prras! Cartas públicas a mujeres del arte (Mexico City: Prras Collective, 2018) | Prras Collective (Author) | Mexico, Letters, Collections, Collective, Self-publishing, Feminist art history, MoMA Reading Room, MoMA Reading Room 1, Mexican art -- 21st century / Permanent Collection, MoMA Reading Room |
 | Pope.L: Campaign (Milan, Italy: Mousse Publishing, 2019) | William Pope.L (Artist), Zachary Cahill (Contributor), Klea Charitou (Contributor), Iris Colburn (Contributor), Tianyu Guo (Contributor), Jeffrey Hsu (Contributor), Leon Hösl (Contributor), Vidura Jang Bahadur (Contributor), Michal Koszycki (Contributor), Chichan Kwong (Contributor), Cristen Leifheit (Contributor), Jasmin Liang (Contributor), Brock Lownes (Contributor), Elizabeth McClafferty (Contributor), Adrienne Elyse Meyers (Contributor), Monika Szewczyk (Contributor), Marie-Gabrielle Verbergt (Contributor), Dieter Roelstraete (Editor) | Documentation, Collaboration, Experimental, Performance studies, Borders and Border Studies, MoMA Reading Room / Permanent Collection, MoMA Reading Room |
 | Los Sumergidos (Monterrey, Nuevo Leon, México: Alejandro Cartagena and Carlos Loret de Mola, 2018) | Alejandro Cartagena (Author), Juan Madrid (Author), Carlos Loret de Mola (Author), Freddy Martinez (Author), Fernando Gallegos (Author) | New York, Mexico, Photography, Collections, Collective, Social documentary photography, Mexican art -- 21st century, Small Press / Permanent Collection |
 | Minor Characters: A Beat Memoir (New York: Penguin Books, 1999 [1983]) | Joyce Johnson (Author), Ann Douglas (Introduction) | Memoir, Beat Generation / Permanent Collection, Orit Gat Collection |
 | Hilma af Klimt: Paintings for the Future (New York, NY: The Guggenheim Museum, 2018) | Hilma af Klimt (Artist), Tracey Bashkoff (Editor), Tessel Bauduin (Contributor), Daniel Birnbaum (Contributor), Briony Fer (Contributor), Vivien Greene (Contributor), Ylva Hillström (Contributor), David Max Horowitz (Contributor), Andrea Kollnitz (Contributor), Helen Molesworth (Contributor), Julia Voss (Contributor) | Exhibition catalog, Mysticism, Painting, Monograph, Abstraction / Permanent Collection |
 | Recipes for an Ecounter (Vancouver: Western Front, 2009) | Marisa Jahn (Editor), Candice Hopkins (Editor), Berin Golonu (Editor) | Canada, Exhibition catalog, Food, Review, Relational Aesthetics / Permanent Collection |
 | The Artificial Kingdom : On the Kitsch Experience (Minneapolis, MN : University of Minnesota Press, 2002., 2002) | Celeste Olalquiaga (Author) | Bard2017 / Bard Reading Room (2017), Permanent Collection |
| The Forms of Things Unknown: An Essay on the Impact of the Technological Revolution on the Creative Arts(Horizon Press and the World Publishing Company, ?) | Permanent Collection, Laurin Raiken Archive | |
| June, 1971(Publisher Unknown, ?) | Permanent Collection, Laurin Raiken Archive | |
 | The Courtroom Artist Residency Report (Chicago: Public Collectors, 2019) | Marc Fischer (Interviewer), Edward Marszewski (Contributor), Tara Betts (Contributor), Josh Rios (Contributor), Claire Pentecost (Contributor) | Social history, Interview, Social justice, MoMA Reading Room, MoMA Reading Room 1 / Permanent Collection, MoMA Reading Room |
 | Melquiades Herrera (Mexico, D. F.: Alias Editorial, 2014) | Damián Ortega (Editor), Melquiades Herrera (Artist), Abraham Cruzvillegas (Contributor) | Photography, Spanish language, Criticism and interpretation, Installation art, Performance studies, Figurative art and Portraiture, Mexican art -- 20th century / Permanent Collection |
 | Life in Code: A Personal History of Technology (New York: MCD Farrar, Straus and Giroux, 2017) | Ellen Ullman (Author) | Technology, Memoir / Permanent Collection, Orit Gat Collection |
 | Magical Negro (Portland, OR: Tin House Books, 2019) | Morgan Parker (Author) | Blackness, Contemporary, American poetry -- 21st century / Permanent Collection |
 | The light through shards (New York and Palestine: Bilna'es, 2024) | Alia Al-Sabi (Author), Amany Khalifa (Author) | Criticism and interpretation, Temporality, Palestine / Permanent Collection, inseparable assembly Reading Room |